Love bade me welcome

I haven't given my pet poets much of an airing in this space, so what about some George Herbert? He is, as AS Byatt remarked here, “perfect and unexpected.” Here's one of his more perfect poems, “Love (III).” 

Love bade me welcome: yet my soul drew back,
Guilty of dust and sin.
But quick-ey'd Love, observing me grow slack,
From my first entrance in,
Drew nearer to me, sweetly questioning,
If I lack'd anything.

A guest, I answer'd, worthy to be here:
Love said, You shall be he.
I the unkind, ungrateful? Ah my dear,
I cannot look on thee.
Love took my hand, and smiling did reply,
Who made the eyes but I?

Truth Lord, but I have marr'd them: let my shame
Go where it doth deserve.
And know you not, says Love, who bore the blame?
My dear, then I will serve.
You must sit down, says Love, and taste my meat:
So I did sit and eat.

The Author

My book (!) is out.  It represents roughly a decade of my life, though not, I should add, a decade of work. I started my PhD in 2000, finished it in 2005, submitted a revised version to Ashgate in I think 2007, and completed the final revisions early this year.  So, with a publication date of November 2010, my book (!!) really began ten years ago.

The book is called Verse and Poetics in George Herbert and John Donne. It's about two seventeenth-century poets and their commitment to poetry as a culturally and theologically privileged mode of expression. If you want to read more about it, the best place is the publisher's own website, though personally I find it more thrilling to view it on Amazon.

PS An e-version was also published, but an online search suggests that the author of the ebook is not in fact me but someone called (much more excitingly) Cecilie Vindal Odegaard. I assume this is someone who works for Ashgate, but I'm also thinking seriously about assuming it as my own nom de plume.

Regarding Harry

Without intending to, I've found myself rereading the Harry Potter books - knee deep in the goblet of fire before I know what I'm about. This time around, I admit the justice of many of the criticisms. The prose is poor - plain and clunky, a simple stitching together of worn-out phrases and predictable structures. While the subject is magic, there is a distinct lack of magic in the atmosphere of the books. There is no beauty, nothing lyrical, and, strangely, no sense of wonder to be found anywhere. Beautiful or wondrous things are described baldly or hyperbolically, leaving little room for mystery. And in the latter books, murky adolescence robs them of much of their childish charm.

However, the spell these books cast is undeniable. Though short on wonder, they have comedy, invention, and affection in abundance, and each book contains at least one pearl of wisdom or moral courage that lifts the books from entertainment to something more. Rowling has a fine comic sense, and is adept at creating humourous situations and even one-liners without much effort. She is also a skilled sketcher of characters. Harry himself can be a bit transparent, but Ron and Hermione are both vividly imagined and highly likeable, to say nothing of Arthur Weasley, Remus Lupin, Uncle Vernon, Neville Longbottom and a host of others. Perhaps the greatest strength of the books is the meticulous and successful plotting, within each book and across the seven, and this is aided by Rowling's intuitive use of symbols and emblems that have deep roots in the western imagination. Her cauldron cleverly mixes the staples of swords, dragons, castles, and serpents with coinages like quidditch, horcruxes, howlers, and pensieves. Most of all, she has pitted good and evil against each other and made unambiguous moral gestures in the books that make them deeply satisfying, despite their lack of poetry.  

Books I wish I'd read in 2010

As the end of the year draws nigh, it's time for one of those wrap-up end-of-year best-of posts, but you might have noticed that I haven't really read any books that came out this year (as far as I can remember) so I'm ill-qualified to comment on what was best or worst in the offerings of the past twelve months. Instead, here's what I thought about reading, talked about as though I'd read, picked up idly in bookshops, read good reviews of, or otherwise toyed with:

Freedom, by Jonathan Franzen
The Immortal Life of Henrietta Lacks, by Rebecca Skloot
Censoring an Iranian Love Story, by Shahriar Mandanipour
All the Devils are Here: the hidden history of the financial crisis, by Bethany McLean and Joe Nocera
How Mumbo-Jumbo conquered the world, by Francis Wheen
At Home, by Bill Bryson
A Tiny Bit Marvellous, by Dawn French

Any other suggestions?

Post script

As an afterthought to the last post, I think of the comment made by Sophia Croft, wife of Admiral Croft and sister of Captain Frederick Wentworth in Persuasion, that wives of sailors should be treated like rational creatures instead of fine ladies: “We none of us expect to be in smooth waters all our days.” She and the Admiral enjoy one of Austen's happiest marriages, probably because of this courage toward the weather of life.

And here's another description of the felicity of the Crofts' marriage, observed and admired by Anne Elliot:

They brought with them their country habit of being almost always together. He was ordered to walk to keep off the gout, and Mrs Croft seemed to go shares with him in everything, and to walk for her life to do him good. Anne saw them wherever she went. Lady Russell took her out in her carriage almost every morning, and she never failed to think of them, and never failed to see them. Knowing their feelings as she did, it was a most attractive picture of happiness to her. She always watched them as long as she could, delighted to fancy she understood what they might be talking of, as they walked along in happy independence, or equally delighted to see the Admiral's hearty shake of the hand when he encountered an old friend, and observe their eagerness of conversation when occasionally forming into a little knot of the navy, Mrs Croft looking as intelligent and keen as any of the officers around her.