Vale Seamus Heaney

Heaney, the son of a cowman from County Derry who grew up to win the Nobel for literature, died yesterday. I first encountered him as the verse translator of Beowulf, who’d recaptured the thumping rhythm and thick, gutteral roll of the original in a way that made other translations seem finicky and quaint. His own poetry pays a similar attention to timbre: to the sound and taste of words in the mouth. “Blackberry Picking,” apt for an August elegy, has a tactile, sensuous joy that’s threaded through with mortality. As good a poem as any to remember him by.

Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
You ate that first one and its flesh was sweet
Like thickened wine: summer's blood was in it
Leaving stains upon the tongue and lust for
Picking. Then red ones inked up and that hunger
Sent us out with milk cans, pea tins, jam-pots
Where briars scratched and wet grass bleached our boots.
Round hayfields, cornfields and potato-drills
We trekked and picked until the cans were full
Until the tinkling bottom had been covered
With green ones, and on top big dark blobs burned
Like a plate of eyes. Our hands were peppered
With thorn pricks, our palms sticky as Bluebeard's.
We hoarded the fresh berries in the byre.
But when the bath was filled we found a fur,
A rat-grey fungus, glutting on our cache.
The juice was stinking too. Once off the bush
The fruit fermented, the sweet flesh would turn sour.
I always felt like crying. It wasn't fair
That all the lovely canfuls smelt of rot.
Each year I hoped they'd keep, knew they would not.

Catch the heart off guard

Looking through previous Nobel literature winners for a poem, I had to go back as far as 1995 to find a winner who was primarily a poet. From Seamus Heaney, I liked this beachy poem “Postscript.” 

And some time make the time to drive out west

Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.